A JEW MUST DIE
2017 Films
•
1h 10m
April 1942. The war seems far away in the small Swiss town of Payerne. Yet the local economy is weak, people are malcontent. The cafes are full of sinister characters.
Garage owner Fernand Ischi and his men have sworn fealty to the Nazi Party. They dream of catching Adolf Hitler’s attention.
On April 16, the next local cattle fair will take place and Arthur Bloch, a livestock dealer, will attend. That is the day a Jew will be killed as an example.
Directed by: Jacob Berger
Written by: Jacob Berger, Aude Py, Michel Fessler
Produced by: Ruth Waldburger
Cinematography: Luciano Tovoli
Editing: Sarah Anderson
Production Design: Yan Arlaud
Costume Design: Leonie Zykan
Sound Design: Gabriel Hafner, François Musy
Cast: Bruno Ganz (Arthur Bloch), André Wilms (Jacques Chessex), Aurélien Patouillard (Fernand Ischi)
Filmography:
2017 CECI N’EST PAS UN TABLEAU
2016 UN JUIF POUR L'EXEMPLE
2012 LEÇON DE MATHÉMATIQUE
2010 JE PENSE À ALAIN TANNER
2007 1 JOURNÉE
2005 LE RÊVE DU DRAGON
2004 LE RÊVE
2002 AIME TON PÈRE
2001 CONCURRENCES DELOYALES (NESTOR BURMA)
2000 PANIQUE À SAINT PATRICK (NESTOR BURMA)
2000 ROMAIN & JAMILA (JOSEPHINE ANGE GARDIEN)
1999 UN CADEAU: LA VIE – (COLLECTION «LE DEVENIR DE L'HOMME»)
Up Next in 2017 Films
-
A MONSTER CALLS
12-year-old Conor O’Malley (Lewis MacDougall) is about to escape into a fantastical world of monsters and fairy tales. He is dealing with his mother’s (Felicity Jones) illness, which has necessitated Conor’s spending time with his less-than-sympathetic grandmother (Sigourney Weaver). His daily ex...
-
ANA, MON AMOUR
Toma meets Ana while they are both studying literature at university. Ana has a mild neurotic disorder and suffers from panic attacks. Toma follows her to every dark corner she ends up in, he fights his parents when they reject her, he accepts being a father and marries her, he becomes her babysi...
-
ANIMALS
A collision with a sheep on a country road initiates a whole series of weird and unsettling experiences for Anna and Nick which ultimately leave them both incapable of being certain exactly where they are: in the real world, in their own imaginations – or in someone else’s imagination.
Direction...