LOVING VINCENT
2017 Films
•
1h 34m
The world’s first feature-length painted animation. The life and controversial death of Vincent van Gogh is told by his paintings and by the characters that inhabit them, featuring over 120 of van Gogh’s greatest paintings.
Direction: Dorota Kobiela, Hugh Welchman
Script: Dorota Kobiela, Hugh Welchman, Jacek Dehnel
Production: Hugh Welchman, Ivan Mactaggart, Sean Bobbitt, Sean Bobbit, Ivan Mactaggart
Cinematography: Tristan Oliver, Lukasz Zal
Editing: Dorota Kobiela, Justyna Wierszynska
Production Design: Matthew Button, Maria Duffek, Andrezj Rafal Waltenberger
Animation: Dorota Kobiela, Łukasz Mackiewicz
Costume Design: Dorota Roqueplo
Make-Up: Iwona Obroslak, Joanna Bochenska, Alina Janerka, Sallie Jaye, Malgorzata Maykut
Sound: Michal Fojcik, Michal Jankowski
Original Score: Clint Mansell
Cast: Douglas Booth, Chris O'Dowd, John Sessions, Helen McCrory, Eleanor Tomlinson, Aidan Turner, Saoirse Ronan, Jerome Flynn, Robert Gulaczyk
Original Title: LOVING VINCENT
Original Language: English
Film Production Countries: Poland, United Kingdom
Website: http://lovingvincent.com/
Social Media: https://www.facebook.com/LovingVincentUS/?brand_redir=190101704414938
Statement of the Director/s
LOVING VINCENT, the world’s first fully painted feature film, is written & directed by Dorota Kobiela & Hugh Welchman, and produced by Poland’s BreakThru Films & UK’s Trademark Films.
The film brings the paintings of Vincent van Gogh to life to tell his remarkable story. Every frame of the film, totalling around 65,000, is an oil-painting hand-painted by 125 professional oil-painters who travelled from around the world to the Loving Vincent studios in Poland and Greece to be a part of the production. As remarkable as Vincent’s brilliant paintings, is his passionate and ill-fated life, and mysterious death.
No other artist has attracted more attention than Vincent van Gogh. Variously labelled a martyr, a lustful satyr, a madman, a genius and a layabout, the real Vincent is at once revealed in his letters, and obscured by myth and time. Vincent himself said in his last letter: ‘We cannot speak other than by our paintings’. We take him at his word and let the paintings tell the real story of Vincent van Gogh.
Loving Vincent was first shot as a live action film with actors then hand-painted over frame-by-frame in oils. The final effect is an interaction of the performance of the actors playing Vincent’s famous portraits, and the performance of the painting animators, bringing these characters into the medium of paint. Loving Vincent stars famous faces to match the famous paintings they portray
Biography of the Director/s
Dorota Kobiela – Writer and Director
A graduate from the Academy of Fine Arts in Warsaw, Dorota Kobiela was awarded the “Minister of Culture scholarship” for special achievements in painting and graphics for four consecutive years. Through friends Dorota discovered animation and film, and immediately threw herself into learning these new artistic disciplines, attending The Warsaw Film School, Direction Faculty. She has directed one live action short film, The Hart in Hand (2006) and five animated shorts – The Letter (2004), Love Me (2004), Mr. Bear (2005), Chopin’s Drawings (2011) and Little Postman (2011). Little Postman was the world’s first, and to her knowledge still only, Stereoscopic Painting Animation film, and won Stereoscopic Best Short Film at the LA 3D Film Festival, 3D Stereo Media (Liege), 3D Film & Music Fest (Barcelona).
For her sixth animated short, Loving Vincent, Dorota had planned to combine her passion for painting and film, and to paint the entire film herself. However, once she expanded the project into a feature film the task of writing and directing was such that she has to content herself with directing the [124] painters, although she still managed to paint a few shots in the film that she devised to bring her back to painting!
Hugh Welchman – co-Writer, co-Director and Producer, BreakThru Films
Hugh graduated from Oxford University with a degree in PPE and a vague notion of wanting to make films. He supported himself through teaching history, selling carpets, and even selling fish, while he joined various grass roots film co-operatives in London. After a few disastrous experiences, where the drama was all behind the camera instead of in front of it, Hugh sought out training at The National Film & Television School.
His graduation film, Crowstone, won the Cinefoundation Prize at the Cannes Film Festival, and he was awarded the Sam Mendes Shakespeare Prize. He got his first professional experience producing short films for Monty Python, and then set up BreakThru Films. In 2008 Hugh was awarded an Oscar for BreakThru’s first major production, Peter and the Wolf. The film also picked up several other top prizes including the Annecy Cristal and the Rose D’or. Peter and the Wolf premiered at a sold out Royal Albert Hall accompanied live by Philharmonic Orchestra, then at the Hollywood Bowl, and has since been performed at over 70 concert halls worldwide. His next film, Magic Piano & the Chopin Shorts premiered in Beijing’s Forbidden City with pianist Lang Lang, then at London’s South Bank Centre and New York’s Lincoln Centre, and has since been performed in 30 major venues around the world with live solo piano accompaniment.
After falling in love with Polish painter and director, Dorota Kobiela, Hugh also fell in love with her film project, Loving Vincent, and has been working with her on it ever since.
Filmography of the Director/s
Dorota Kobiela:
Little Postman - 2011
Chopin's Drawings - 2011
The Flying Machine -2011
Awards Won
Audience Award - Annecy Film Festival
Best Animation - Shanghai Film Festival
Best Foreign Animation - Golden Trailer Awards
Best Graphics - Golden Trailer Awards
World Sales:
Cinema Management Group
Edward Noeltner
8383 Wilshire Blvd, Suite 320
Beverly Hills, 90211, United States of America
E-Mail: [email protected]
Phone: +1 310 300 9959
Press:
Loving Vincent Distribution Limited
Emma Green
14a Goodwin's Court
London, WC2N 4LL, United Kingdom
E-Mail: [email protected]
Phone: (+44) 7872 969 717
Up Next in 2017 Films
-
MY GRANDMOTHER FANNY KAPLAN
1917, the Crimea. A blind woman Fanny Kaplan (Katerina Molchanova) is pardoned after serving ten years for terrorism at a hard labour camp and goes to a rest home in Yevpatoria. There, Fanny meets a doctor Dmitriy Ilyich Ulyanov (Myroslav Slaboshpytskiy). He is incidentally the brother of Vladimi...
-
NOTHINGWOOD
About a hundred kilometers away from Kabul, Salim Shaheen, the most popular and prolific actor-director-producer in Afghanistan, comes to show some of his 110 films and to shoot the 111th in the process.
He has brought with him his regular troupe of actors, each more eccentric and out of control ... -
ON BODY AND SOUL
TESTRŐL ÉS LÉLEKRŐL
HungaryWhat if one day you met someone who, at night, dreams the same dream you do? Try and imagine... Would you be thrilled? Would you be scared? Would find it funny? Or rather intrusive? Or, perhaps, romantic? But what if you are not the romantic type at all? If you shudde...