During a cold winter night, a cyclist is hit by a SUV and then abandoned to agonize in the frozen snow. The mysterious episode, on which the police will investigate, connects the events of the members of two families: the petty-bourgeois family of Ossola and the one rich and venerated of Bernaschi. Through a sophisticated narration divided into four chapters, adapted by an American noir novel, the film explores human and inhuman ambitions, generational conflicts and social splendor and misery of North Italy province, ending with a mocking flavor epilogue that does not seem to fulfill anybody.

Direction: Paolo Virzì

Script: Francesco Piccolo, Francesco Bruni, Paolo Virzì

Production: Fabrizio Donvito, Marco Cohen, Benedetto Habib, Philippe Gompel, Birgit Kemner, Fabrizio Donvito

Cinematography: Jérôme Alméras

Editing: Cecilia Zanuso

Production Design: Mauro Radaelli

Costume Design: Bettina Pontiggia

Sound: Roberto Mozzarelli

Original Score: Carlo Virzì

Cast: Fabrizio Bentivoglio, Valeria Bruni Tedeschi, Valeria Golino, Fabrizio Gifuni, Luigi Lo Cascio

Original Title: IL CAPITALE UMANO

Original Language: Italian

Subtitles: English

Film Production Country: Italy

Website: http://www.repubblica.it/film/ilcapitaleumano/

Social Media: https://www.facebook.com/ilcapitaleumano?fref=ts

Statement of the Director/s
This project began first and foremost as a real “love affair” with the wonderful novel by Stephen Amidon, Human Capital, set in an affluent Connecticut suburb in the last decade. Those characters, and that story, seemed emblematic of our times, even in Italy: a wealth that doesn’t come from work, but from the most ruthless of financial speculation; the dashed hopes of climbing the social ladder; the anxiety that money causes; a generation of young people forced to pay a higher price for happiness, because of the fitful ambitions of their parents, or their own frustrations. The story of Drew Hagel—the restless real estate agent who takes advantage of his daughter’s presumed relationship with the son of a wealthy broker to try and join the board of an aggressive investment fund—immediately struck a chord. It seemed written just for us, to express a state of affairs that concerns us all.
So we made it an Italian story, the story of Dino Ossola, a real estate agent in hot water, who’s enrolled his daughter Serena in a prestigious prep school he can barely afford. We immersed that mosaic of stories and characters in today’s North of Italy provence, a place straddling the border of wealth and desperation. We decided to structure the plot like a real thriller, with a dead body on our hands from the very first scene: a cyclist hit on an icy winter’s night, on the eve of the Christmas holidays. Tracing the steps of the various characters, the entire film retells the story of what happened that night, piece by piece, showing how that accident could change each of their lives.
Mainly, however, it tells the story of how money—the angst of multiplying it, the anxiety of losing it—determines the relationships, the fates, and the worth of the people it touches.

Biography of the Director/s
Paolo Virzi, screenwriter, director and producer, is one of the most important storytellers for the screen belonging to the latest generation of Italian Cinema. He is considered the greatest innovator and heir of the Italian Comedy, and his films deal with thorny topics using a compelling, humorous and compassionate style.
Here below, his full filmography:
La Bella Vita (1994)- Ferie d'Agosto (1995)
-Ovosodo (1997)- Baci e Abbracci (1999)-
My Name Is Tanino (2002)-Caterina Va in Città (2003)-N (Io e Napoleone) (2006)-Tutta la Vita Davanti (2008)-L'Uomo che -Aveva Picchiato la Testa (2009)-La Prima Cosa Bella (2010)- Tutti i Santi Giorni (2012)-Il Capitale Umano (2014)

World Sales:
Bac Films
88, rue de la Folie Méricourt
Paris, 75011, France
E-Mail: [email protected]
Phone: 33 153 535 252