THEY CALL ME BABU
2020 Films
•
1h 19m
THEY CALL ME BABU is a film about native Indonesian girls working as nannies (pembantu) for the colonial Dutch in a rapidly changing world in the 1940s against the backdrop of WWII and the struggle for independence in Indonesia. The film is told from the perspective of Alima and begins with her decision to flee from an arranged marriage to work as a pembantu for a Dutch family. Through all her new impressions and thoughts, she looks critically at colonial society and her own position. The film is told through the use of archive footage.
Direction: Sandra Beerends
Script: Sandra Beerends
Production: Pieter van Huijstee
Editing: Ruben van der Hammen
Sound: Mark Glynne, Tom Bijnen
Original Score: Alex Simu
Cast: Denise Aznam
Original Title: ZE NOEMEN ME BABOE
Original Language: Indonesian
Film Production Country: Netherlands
Website: theycallmebabu.com
Biography of the Director/s
Sandra Beerends is a script editor/creative producer and writer/director who runs her own company, Beruang and works for the dramadepartment of the Dutch broadcaster NTR. She has been on the juries of Prix Europa, Prix Jeunesse, Cinedans, Klik! and IFFR. Her work includes, but is not restricted to, the script-editing of KAUWBOY (European Film Award 2012), the series DUNYA & DESIE (Emmy nominations 2002/2004) and POLSKA WARRIOR (Grand Prix Dutch Animation HAFF 2017) and IN BLUE (best script. Best film NFF 2019).
She wrote and produced the short ARIGATO (audience award Film by the sea 2012) about the Dutch Indonesian war trauma. Her first documentary THEY CALL ME BABU premiered successfully at IDFA, was among the audience favourites and received the Crystal prize for selling more than 10,000 tickets in its initial theatrical run. At the same time the film is travelling the international festival circuit and was called ‘the Indonesian version of ROMA’ in the Sydney morning Herald.
Awards Won
Selection Europe! Voices of women 2020
Selection Sydney Filmfestival 2020
Selection New Zealand Filmfestival 2020
Selection Thessaloniki Filmfestival 2020
Nomination best Documentary Golden Calf competition /October 2020
Nomination best film Forum for Dutch Directors /October 2020
Nomination best use of archival footage in Cinematic feature Focal awards/October 2020
Nomination best use of archival footage in History feature Focal awards/October 2020
Nomination Best Newcomer Makedox 2020
Nomination Best Director Dutch Documentary DDG 2020
Nomination best Documentary International competion FIPA 2020
Nomination best Dutch Documentary IDFA 2019
Nomination best use of archive IDFA 2019
Chrystal award Dutch Film festival 2020
Buma Award for best music 2020
Audience award IFA 2020
Best Documentary award Dokfest Horizonte 2020
Production Company:
Pieter van Huystee Film
Rudolf Kats
Donker Curtiusstraat 125
Amsterdam, 1051MC, Netherlands
E-Mail: [email protected]
Phone: +31 20 42 10 606
World Sales:
Pieter van Huystee Film
Jan Rofekampt
Donker Curtiusstraat 125
Amsterdam, 1051MC, Netherlands
E-Mail: [email protected]
Phone: +31 20 42 10 606
Press:
Pieter van Huystee Film
Rudolf Kats
Donker Curtiusstraat 125
Amsterdam, 1051MC, Netherlands
E-Mail: [email protected]
Phone: +31 20 42 10 606
Up Next in 2020 Films
-
THOSE WHO REMAINED
AKIK MARADTAK
Hungary
Aldo is 42, lost his wife and two children in the camps but is keeping himself together while working as a gynecologist.
Klára is 16, and has not gotten her period yet. She is still waiting for her father and mother to return from … well, she only knows they are "war priso... -
UNCLE THOMAS, ACCOUNTING FOR THE DAYS
A tribute to the director’s uncle Thomas, a humble man with a simple and anonymous life. This is her acknowledgment how one does not have to be "somebody" to become exceptional in other’s eyes.
Direction: Regina Pessoa
Script: Regina Pessoa
Production: Abi Feijó
Co-Production: Julie Roy, Regi...
-
UPPERCASE PRINT
UPPERCASE PRINT links two stories, two histories. One is the true story of teenager Mugur Călinescu, who in 1981 chalked protest messages against the Ceaușescu regime on walls. His story is presented as it appears in the voluminous file kept by the Secret Police, which observed, apprehended, inte...